Phase Memory did not receive a visual identity. It grew one. The image followed the same logic as the sound: residue, slow light, a surface that keeps a little more than it was given.
This study traces how a release becomes a visual system without becoming a logo. Colour is withheld. Edges are allowed to blur. The photograph behaves like a reverb.
What we see is not a cover in the old sense. It is the sound, paused long enough to be looked at.